By Benjamin Kohlmann
tensions among modernist experimentation and political imaginative and prescient that lie on the middle of those works.
Taking as its concentration the paintings of those writers, the publication argues that the shut interactions among literary construction, severe mirrored image, and political activism within the decade formed the influential view of modernism as essentially apolitical. Intervening in debates concerning the lengthy lifetime of modernism, it contends that we have to take heavily the anti-modernist impulse of Thirties left-wing literature even if recognition is paid to the formal complexity of those 'committed' works. The tonal
ambiguities which run during the politicised literature of the Thirties therefore impression no longer a disengagement from yet a extra thorough immersion within the profoundly conflicted political commitments of the last decade. even as, the learn indicates that debates concerning the politics of writing within the Nineteen Thirties proceed to
inform present debates concerning the courting among literature and political commitment.
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Additional info for Committed Styles: Modernism, Politics, and Left-Wing Literature in the 1930s (Oxford English Monographs)
Committed Styles: Modernism, Politics, and Left-Wing Literature in the 1930s (Oxford English Monographs) by Benjamin Kohlmann